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DEADLINE FESTIVAL
The Deadline Festival took place in 2015 and 2016 at the Bahnwärter Thiel / Viehhof site. Organised by the Munich based artist collective Graphism, the Festival was designed to make contemporary urban art freely accessible to the public, showcasing art on a 150 x 8 meter long wall.
DER ZUG IST ABGEFAHREN
Der Zug Ist Abgefahren (The train has departed) was an exhibition held at Hauptbahnhof in 1997. It featured the artists Cemnoz, Cheech, Flin, Neon, Paze, Smal, and Z-Roc.
DESAK
IG @desak.one
Desak began with graffiti in 1990 and is well known for his detailed and genuine writing style. His unique artwork can be mostly found around the Viehhof area.
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DIE ZÜGE GEHÖREN UNS
"The Trains Belong to Us," published in 1986 by Don M. Zaza and Roscoe, is now considered a cultural-historical document. It describes the experiences from the beginnings of Munich's graffiti scene and the events of that legendary March night in 1985 when seven artists - Don M. Zaza, Cheech H., Blash, Cryptic2 (now Loomit), Roy, Roscoe and Zip - painted the Geltendorf train as the first European whole train.
D.O.G.
DON M. ZAZA
Don M. Zaza was part of the first generation of young artists to start doing graffiti in 1983. He sprayed his first words, such as "Break" and "Graffiti", in red and blue underneath the bridge in Puchheim (on the outskirts of Munich).
A pioneer of Munich's graffiti scene, he was very active in the mid-80s at the Hall of Fame at the Dachau flea market and on the first trains, and he quickly became known in the scene.
Besides doing graffiti, Don has participated in and curated various international urban art exhibitions and projects, such as Cubabrasil and Arabic Graffiti.
DOUT
DYSET
Dyset began graffiti in 1996, traveling across Europe to pursue his art. In 2001, he began his studies at the University of Applied Sciences in Hannover. Concurrently, in 2003, he co-founded the design collective xhoch4. His project 27 ADDICTS, launched in 2005, showcases the fusion of design and graffiti, collaborating with 27 artists globally. In 2008, he relocated from Ingolstadt to Munich, where he continues to live and create art. From 2007 to 2017, he organised La Grande Schmierâge, the largest graffiti jam in southern Germany, attracting 60 international artists to Ingolstadt biennially. In 2011, he initiated the SOFT-CAN project, which involved the creation of spray cans made from soft, fluffy materials.
